Sunday, 25 July 2010

Sequoia National Park

While I was in the US I took a greyhound bus up north to visit the sequoias. I'm so glad I did it, I have been wanting to visit this park for so long and it didn't disappoint. I was only at the park for one full day but did the major sites - the giant forest, general sherman (largest tree in the world), moro rock and the crescent meadow.

giant sequoia tree

meadow in the giant forest

bear cubs in the meadow



Friday, 23 July 2010

Opening Night

I arrived back in Melbourne early yesterday Morning. Los Angeles was awesome. I got to attend lots of show openings which was exciting and quite the experience (next time I'm going to remember to bring some 4-inch heels - I was a bit of a fashion failure at a few of the shows in my t-shirt and 1-inch sandals). I also stocked up on cosmetics and art supplies because they are half the price of what we pay in Australia (!!!). And I got some socks to keep my feet warm in Melbourne's winter weather.

I took lots of photos but most importantly I want to share a few of the gallery space and opening night at LeBasse Projects.

I'd like to thank the gallery owners Beau and Christine for looking after me while I was in LA and really going above and beyond what a gallery needs to. They made my time in LA both comfortable and exciting. And also to Yosk and Nate for letting me crash in their studio for a few days at the end of the trip. Thanks guys!

It was also great to meet the other artists who were sharing the gallery space with me for the show - J. Shea and Morgan Slade, it was great meeting them both and getting to check out their work in person.

The show is open 'til August 7 so if you're in LA there is still time to check it out.

Saturday, 3 July 2010


Only 2 weeks until the show opens. I'm calling the show "Botanica". It's one of those words that isn't a real word but if you google it everyone uses it anyway. I made this web invite for the fun of it. Next week I fly to LA - exciting!

Right now I'm working on some drawings, mostly in black ink. I'm feeling inspired by wood engravings and all the intricate line work and patterning they get from the carving process. I was going to try wood engraving myself, but found out that they are mostly very small, where as I wanted to do something big. So ink on paper it is.